Ariana Grande Sees the Funny Side of Photoshop Mishap in Vogue Japan Feature
Global pop sensation Ariana Grande has responded with characteristic humour after a noticeable Photoshop error in her recent photoshoot for Vogue Japan left fans doing a double-take. The 32-year-old singer and actress appeared to sport an extra finger in one of the published images, prompting both amusement and confusion among her dedicated followers.
The Six-Finger Phenomenon Captivates Social Media
The intriguing visual anomaly emerged when an observant fan shared a snap from the fashion spread on Instagram, highlighting the apparent digital mishap. The photograph shows Ariana looking typically glamorous in a floral co-ordinated outfit, accessorised with striking diamond earrings and sheer gloves. However, as she leans her heavily-tattooed left hand against a wall, an additional finger becomes visible, creating the illusion of a six-digit hand.
The fan captioned their post with the playful query: 'Who’s responsible for giving Ariana 6 fingers….' Rather than taking offence or ignoring the slip, Ariana responded with her trademark wit and self-deprecating charm. She commented: 'Holy sh***! Oh my goodness how exciting! I’ve been saying I need some extra appendages so that I can start an album! Thankful for this.'
Her lighthearted reaction sent fans into hysterics across social media platforms, with many flooding the comments section with affectionate messages. Supporters wrote responses including: 'LMFAO I love you so much queen', 'this is soooooo silly I love u', and simply 'Silly ari', demonstrating the strong bond between the star and her audience.
BAFTA Nominations Bring Mixed News for Wicked Sequel
This amusing incident arrives during a significant week for Ariana's cinematic endeavours, albeit with less cheerful professional news. The recently announced BAFTA nominations delivered some unexpected disappointments for her latest film project, Wicked: For Good. The musical sequel failed to secure nominations in any of the major categories, marking a stark contrast to the success of its predecessor.
Last year, the first Wicked film earned an impressive seven BAFTA nominations and ultimately secured two wins. However, the follow-up has struggled to replicate that achievement, receiving just two nods this year – specifically in the costume design and hair and makeup categories. This comes just one week after the film was entirely shut out of the Oscar nominations, compounding the sense of awards season disappointment.
Notably, both Ariana Grande and her co-star Cynthia Erivo were overlooked in the acting categories, despite their prominent roles. Director Jon M. Chu's film did gain recognition for its visual craftsmanship, but the absence from performance fields has raised eyebrows within the industry.
Broader BAFTA Snubs Create Awards Season Surprises
The BAFTA nominations have generated several talking points beyond the Wicked sequel, with unexpected omissions across multiple categories. Guillermo del Toro, despite his film Frankenstein receiving eight nominations including a Supporting Actor nod for Jacob Elordi, was surprisingly absent from the Director category. Furthermore, the movie failed to secure nominations for Best Film or Adapted Screenplay, despite being represented in both at the Oscars.
The acting categories have produced their own share of surprises, with four performers nominated for Oscars missing out on BAFTA recognition:
- Amy Madigan for Weapons
- Delroy Lindo for Sinners
- Wagner Moura for The Secret Agent
- Elle Fanning for Sentimental Value
Conversely, several actors who were overlooked by the Academy have found favour with BAFTA voters, including Paul Mescal for Hamnet, Jesse Plemons for Bugonia, and Odessa A'Zion for Marty Supreme. These differences can be partially attributed to the BAFTAs featuring six slots in performance categories, compared to the Oscars' five, allowing for broader recognition.
As awards season continues to unfold, Ariana Grande's ability to laugh at a simple Photoshop error demonstrates her resilient and engaging public persona, even as her professional projects navigate the unpredictable waters of critical recognition.
