Reality television personality Pete Wicks has made the bold declaration that "romance is dead" in a candid podcast discussion, following recent photographs that captured him sharing a kiss with fellow star Olivia Attwood. The intimate moment occurred over the weekend at a hotel bar in London's Soho district, igniting widespread speculation about the nature of their relationship.
Photographs Spark Relationship Rumours
Pete Wicks and Olivia Attwood were photographed locking lips at the Flute Bar in Soho, with images showing the pair cosying up at a table surrounded by empty glasses. This public display of affection comes just weeks after news broke that Attwood was separating from her footballer husband, Bradley Dack. The former Love Island star and Wicks, both known for their appearances on The Only Way Is Essex, currently collaborate on KISS FM's The Sunday Roast podcast.
Podcast Revelation About Modern Romance
In a profanity-laden episode of the Staying Relevant podcast released on March 23, Wicks expanded on his views about contemporary relationships during a conversation with internet personality Grime Gran, whose real name is Margie Keefe. When Keefe suggested that men should be more thoughtful, perhaps by giving flowers occasionally, Wicks agreed but lamented the current state of romance.
"I do think like - and it is part of romance is dead, a little bit - do you know what I mean?" Wicks stated during the podcast recording. He elaborated that in today's materialistic world, gestures are often judged by their monetary value rather than their sentimental meaning.
Valentine's Day Criticism and Year-Round Love
The media personality went on to criticise Valentine's Day specifically, calling the occasion "a load of b******s" and emphasising that genuine affection should be demonstrated consistently throughout the year. "If you love someone, love them 365 days a year," he asserted, reinforcing his perspective that meaningful romantic gestures have become increasingly rare in modern society.
Evolving Friendship and Unexpected Romance
Despite previously denying any romantic involvement, sources close to the pair suggest their friendship has developed into something more intimate. A friend told The Sun newspaper: "They have been spending a lot of time together and an unexpected romance has blossomed from friendship."
Another source claimed to Closer Magazine that Attwood has "always been drawn to Pete and carried a torch for him," adding that she is now "totally smitten" with the 37-year-old television personality. "Olivia has fallen big time, she's totally smitten with Pete. She's always liked him – everyone can see the connection," the insider revealed.
Ex-Husband's Reaction and Public Embarrassment
The photographs have reportedly left Attwood's estranged husband Bradley Dack "livid" and "completely embarrassed and upset." According to sources, Dack was spotted without his wedding ring at Ebbsfleet International railway station following the publication of the images. The former couple's split was reportedly due to a "breach of trust" on Dack's part, and he had apparently hoped for a reconciliation before seeing the images of his ex-wife with Wicks.
"Bradley is livid, he's not surprised at all but is completely embarrassed and upset," a source disclosed. "He can't believe Olivia has moved on so publicly, and they've not even signed the divorce papers. Bradley was hopeful for a reunion with Olivia."
Previous Romantic Encounters and Media Appearances
This is not the first time Pete Wicks has been photographed in romantic circumstances at the Flute Bar. In 2024, he was captured kissing another reality star, Maura Higgins, at the same venue. Meanwhile, both Wicks and Attwood were seen making separate arrivals at Bauer Media Studios on March 22 for the recording of their Sunday Roast podcast, maintaining a professional front despite the growing personal speculation.
The unfolding situation highlights the complex intersection of celebrity relationships, public perception, and personal values in today's media landscape, with Wicks' declaration about the death of romance serving as a provocative commentary on modern love.
