Bruno Mars's 'The Romantic': A Polished Homage Lacking Original Spark
It has been a full decade since Bruno Mars last unveiled a solo album, an eternity in the fast-paced world of pop music. Yet, the follow-up to the multi-platinum 24K Magic cannot be described as eagerly anticipated, not out of cynicism, but because Mars has remained omnipresent throughout the intervening years.
A Decade of Dominance Without a Solo Return
During this period, Mars co-piloted the hit album An Evening with Silk Sonic with Anderson .Paak, collaborated with stars like Cardi B and Ed Sheeran, and scored global smashes such as Die With a Smile with Lady Gaga and APT. with Blackpink's Rosé. His activities have included two world tours, Las Vegas residencies, a bar opening, a Fortnite appearance, and a Record Store Day ambassadorship in 2026.
This relentless industry means The Romantic lacks the impact of a grand comeback, though its lead single I Just Might has topped charts in 11 countries, including the UK Top 10, surrounded by artists who were schoolchildren when 24K Magic debuted.
Blatant Homages and Familiar Sounds
The album is steeped in musical references so glaring they border on tribute. I Just Might echoes Leo Sayer's 1976 hit You Make Me Feel Like Dancing, while other tracks draw heavily from classics:
- On My Soul channels Curtis Mayfield's Move On Up.
- Cha Cha Cha mirrors the O'Jays' Backstabbers.
- Something Serious borrows from Tito Puente's Oye Como Va.
- God Was Showing Off recalls Barbara Acklin's Am I the Same Girl.
Lyrical clichés abound, with nods to ain't no mountain high enough and I just called to say I love you, reinforcing the sense of déjà vu.
Performance Versus Innovation
Mars's talent as a performer is undeniable—his vocal prowess shines on tracks like Dance With Me, and his taste in music is impeccable. However, The Romantic struggles to move beyond mere imitation. The album's highlights, such as the Latin-infused Something Serious, succeed because they evoke beloved originals, whereas weaker tracks like Nothing Left and Risk It All fall flat with uninspired balladry.
Despite the effort in curation, from soul signifiers to a Jimi Hendrix-inspired headband on the cover, the songwriting feels lazy. Mars and his co-writers present well-chosen influences without reshaping them into something novel, resulting in an album that is pleasant but unoriginal.
Commercial Success Amidst Creative Shortfalls
This approach has not hindered Mars's commercial appeal; blatant references have fueled hits like APT., which credited Toni Basil's Mickey. The Romantic may follow suit, proving that heartfelt homages can still sell millions. Yet, for listeners seeking innovation, the album prompts a return to the classic songs it so faithfully replicates.
In essence, The Romantic is a beautifully executed collection of tributes that ultimately leaves one wondering if time might be better spent revisiting the timeless originals that inspired it.
