In response to Alexis Petridis's recent rankings of the greatest live albums ever, Guardian readers have passionately voiced their own favourites, pointing out notable omissions from the list. The discussion underscores the subjective nature of such musical critiques and the enduring legacy of iconic performances.
Leonard Cohen's London Triumph
Mike Pender from Cardiff expressed surprise that Leonard Cohen's Live in London (2009) was overlooked. This recording captures Cohen's sublime performance at the O2 Arena in July 2008, a show that marked his return to the London stage after a long hiatus. During the concert, Cohen quipped humorously about the gap, noting it had been "a long time since I have stood on a stage in London – it was about 14 or 15 years ago, I was 60 years old, just a kid with a crazy dream." For many in the audience, that night likely saw dreams come true, as Cohen delivered a memorable set that resonated deeply with fans.
Other Reader Recommendations
David Sutherland from Chiddingfold, Surrey, highlighted The Who's Live at Leeds, pointing out that his vinyl copy includes a Tommy medley on side two, contrary to Petridis's claim of "no songs from Tommy." This adds a layer of nuance to the album's appreciation.
Lance Hodgson from Streatham, London, advocated for the Rolling Stones' 1970 live LP Get Yer Ya-Ya's Out, praising Mick Taylor's sublime guitar work and Mick Jagger's cheeky asides to the audience as key reasons for its inclusion.
Andy Cooper from Rochdale, Greater Manchester, expressed dismay at the absence of the Allman Brothers' At Fillmore East and Deep Purple's Made in Japan, calling these omissions a transgression in the world of live music recordings.
The Broader Conversation
These letters reflect a broader conversation about what makes a live album great, from technical prowess and audience interaction to historical significance. While Petridis's list sparked debate, it also served as a catalyst for fans to share their personal connections to these timeless recordings, reminding us that music appreciation is often a deeply individual experience.
